We have already written that nobody is more sensitive than the Iranian photographer. Perhaps only the Iranian female photographer. As you can tell the Persian photo from a hundred ones, so you can also immediately recognize whether it was taken by a woman, with that refinement, attention and insight which is equally characteristic of Iranian women and of Persian poems.
A perfect proof is the series by Alieh Sâdatpur on the old bicycles of Isfahan. 
Soheil Nafisi: همه فصلن دنیا Hame-ye faslân-e donyâ, “All seasons of the world”. From the CD ترانهای جنوب Tarânehâ-ye jonūb, “Southern songs” (2010)
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